DARIA IRINCHEEVA was born in 1987 in Leningrad (St. Petersburg) growing up in a post-Soviet Russia, a state of socio- economic dysfunction, instability, and disillusionment. Daria is a multidisciplinary artist, whose practice currently consists of working with sculpture, painting, video, textile and embroidery. Through such media, Irincheeva explores the processes of language, history-construction, memory-colonization, information-fossilization, temporal repetitions, and dead-ends in time. Irincheeva received her BFA with Honors from the School of Visual Arts, New York in 2013, and her Masters in Fine Arts from Columbia University, New York in 2018.

Her personal exhibitions include “Continuous Function” at the Moscow Museum of Modern Art, 2019; ”Empty Knowledge" at Christie's, Moscow, 2017; "Circadian Rhythm" at Postmasters Gallery, NY, 2014; “Path through long grass”, Aperto Gallery, St. Petersburg, Russia, 2013; and “Avoid This Water”, Reverse Space, New York, 2012; among others. 

Group exhibitions include “Time, Forward!” at V-A-C Zattere, 2019 Venice Biennial; “Nature\Nature’ at Kunstraum Niederoesterreich, 2019; “The Sun is gone but we still have the light” at UncleBrother/Gavin Brown's Enterprise, New York, 2018; ”It's OK to change your mind!" at Museum of Modern Art of Bologna, 2018; “General Rehearsal” at Moscow Museum of Modern Art, Russia, 2018; “This is What Sculpture Looks Like” at Postmasters Gallery, New York, 2014; and "Dreaming Russia", Albertina Museum, Vienna, 2014; among others. 

Daria Irincheeva participated in the following art programs and residencies: 2017 Whitney Biennial program “Counter-commencement debtor's assembly”; the program of the Jewish Museum, New York "In Response. The Arcades" in 2017; AZ West “Institute of Investigative Living” residency, CA, USA, 2017; and the New Museum Seminars “Legacy”, New York, 2016.

Her works have been featured in the NY Times, Frieze Magazine, Artforum, Huffington Post, Bomb Magazine, and Vogue Russia, among many other publications. Irincheeva’s works are in multiple private US, Russian, Italian, and UK collections; in the collection of the Moscow Museum of Modern Art, the V-A-C Foundation, and several corporate collections. 

While based in New York since 2011, Irincheeva maintains satellite studios in Vienna, Austria, St. Petersburg, Russia, and Santiago, Chile.